Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder.
Spend for a work, though this does not necessarily mean you will pay that price.
You should always bid the maximum you are willing to Read More Description Read Less DescriptionĮvery bid submitted is treated as a maximum bid. In 2011, a twelve-year survey of her work was exhibited at the Albright Knox Art Gallery in Buffalo, New York and will travel to the Museum of Contemporary Photography in Chicago in January 2013. Her work is held in the collections of the Museum of Modern Art, the Museum of Fine Arts Houston, the National Gallery of Art, the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery and the Lannan Foundation.Ĭourtesy of Tops Gallery. Each year, she structures her life around a photographic journey crossing the American landscape. Her most recent project has been following the US/Mexican border photographing the intersection of geology, politics and culture along the volatile international boundary. She is a recipient of the 2010 Aaron Siskind Foundation Individual Photographer's Fellowship and the 2010 Anonymous Was a Woman Award. Victoria Sambunaris received her MFA from Yale University in 1999. I resist approaching a landscape strictly as an expanse of scenery but view it as an anomaly with an abundance of information to be discovered." My motivation to traverse the American landscape is the attempt to reveal the layers of a place. Sambunaris has stated, "My process begins with an unmitigated curiosity inspired by research into industry, culture, history, anthropology, geology and ecology. Throughout the years, her work has led her to industrial, political and geological significant areas of the country including Alaska’s North Slope, the Yellowstone hotspot, the Snake River Plain, and the US-Mexican border. For the past 12 years, photographer Victoria Sambunaris has traveled extensively by car exploring the vast transformation of the American landscape.
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